Spring 2027 Courses

Our language course offerings can be found on the Directory of Classes.

Meeting days and times are subject to change. Please consult the Directory of Classes and Vergil for final confirmation.

Last updated: October 12, 2026

UN3244 French Thru Current Events

Samuel Skippon

MW 11:40-12:55

The course will offer students an understanding of fundamental underlying concepts that structure French society and that are necessary to grasp if one wants to follow current events in France. This course could be of interest not only to CC students but also to students enrolled at SIPA or Teacher’s College. Moreover, this course would allow for a comparative approach to how same events are covered in US, or other foreign media, and in France.Given that this course will deal with current events, the readings will depend entirely on how the news unfolds. Students will be given an introduction to the various media outlets available to them: the press, television and online sources. As the course unfolds, I will adapt the choice of sources that best follow events as they happen. 2022 for example, will be the year France assumes the presidency of the European Union. It will also be the year of the presidential elections. For such events, I will propose specific institutional sources. On the other hand, events that could not be anticipated will require some form of guidance in terms of sources. In spite of the obvious unpredictability of the specific content of this course, certain key concepts necessary to understand current events in France will be presented. These may vary slightly from one semester to another, but would include, without being limited to: the structure of government and public institutions, political parties, unions and “associations”, social benefits and “the welfare state”, public vs. private sector, “Paris is France”, universalism, secularism and “laïcité”, cultural exceptionalism, the figure of the intellectual, national identity, immigration, geography of France and demographics, relation to Europe, geopolitics, globalization and sovereignty. Of course, the choice of themes and concepts in a given semester would be influenced by dominant topics in the French news.

UN3405 Read, Think, Write in French

Section 001

Pascale Crepon

MW 10:10-11:25

Section 002

Alexandra Borer

TR 11:40-12:55

UN3405 enables students to hone and perfect their reading and writing skills while improving their ability to express and organize thoughts in French. In this engaging advanced language class, students are exposed to major texts in fields as diverse as journalism, sociology, anthropology, politics, literature, philosophy and history. Stimulating class discussions, targeted reviews of key grammatical points in context, and an array of diverse writing exercises all contribute to strengthen students’ mastery of the French language. This course also works as a bridge class between Intermediate French II and courses that focus on French and Francophone cultures, history and literature (such as 3409 and 3410). Students who take this class will be fully prepared to take advanced content classes or spend a semester in a Francophone country. This class is required for the French major and minor.

UN3409 Intro to French & Francophone History

Eleanor L Grabowski

TR 4:10-5:25

Who were the Gauls and when was Paris the "capital of modernity"? What caused the French and Haitian Revolutions? Why do the French care so much about religion, nation, empire or, for that matter, food and fashion? This class surveys the history of France and the Francophone world from the Middle Ages to the present. It provides an introduction to major events and ideas that have shaped the lives of millions of people in France and across the world, in its former colonies. From feudalism and absolutism to imperialism, capitalism, and republicanism, we explore how questions of identity and difference play out in politics, culture and society. The class is based in lecture and discussion and relies on close readings of primary sources. The course is taught entirely in French and is one of two core courses for the major and minor in French. Students are encouraged to take FREN 3405 prior to this course.

UN3410 Intro French & Francophone Literature

Aubrey A Gabel

TR 2:40-3:55

This class offers students an introduction to major works that have marked the history of literature in French from the Middle Ages to the present. Our focus will be on close reading and discussion, but works will also be placed in historical context. We will look at a variety of literary genres (sonnet, short story, comedy, autobiography, narrative poetry, novel), and our readings will be complemented by visual materials such as paintings and films. The course is taught entirely in French and is one of two core courses for the major and minor in French. Students are encouraged to take FREN 3405 prior to this course.

UN3412 Contemporary French and Francophone Literature

Laurence Marie

TR 10:10-11:25

This contemporary French and Francophone literature course designed for undergraduate students is part of the “Choix Goncourt USA” (US Goncourt Prize Selection), an initiative led by the Goncourt Academy in France and the Cultural Services of the French Embassy (Villa Albertine) in the United States. The course provides students with the unique opportunity to read the latest French contemporary fiction through the lens of critical literary tools, to experience being part of a selecting literary committee, to interview outstanding contemporary writers, and to practice writing book reviews, in addition to the more traditional essays and close readings. This course is entirely conducted in French (readings, discussions, and writing).

UN3688 Writing Desire: Sex and Sexual Politics

RJ McIntyre

TR 11:40-12:55

This seminar examines how French and francophone writers have given form to desire in novels, memoirs, poetry, polemic, and film from the nineteenth century to the present. French writing has been uniquely preoccupied with sexuality, its representation, its regulation, and the scandal that erupts when private life becomes public text. Flaubert was prosecuted for Madame Bovary, Colette scandalized and seduced in equal measure, and Duras made the novel a repository of erotic memory. In the twenty-first century, writers such as Édouard Louis, Abdellah Taïa, and Vanessa Springora have turned to memoir and autofiction to reckon with questions of queer desire, sexual violence, and consent. Moving across two centuries, we will read works that explore the boundaries between confession and fiction, between liberation and exploitation, and between secrecy and exposure. Authors include Flaubert, Baudelaire, Colette, Gide, Leduc, Duras, Ernaux, Taïa, Louis, and Springora alongside films by Malle and Campillo. This course will be taught in French.

*NEW COURSE*

AHFR3XXX Birth, Death, and the Human

Joanna Stalnaker and Meredith Gamer

MW 10:10-11:25

In the age of AI, the humanities have a vital role to play in reflecting—slowly, deeply, and critically—on what it means to be human in a world shaped by machines. Birth and death as embodied human experiences lie at the heart of this inquiry. This interdisciplinary course treats these topics historically, looking back to the eighteenth century as a moment when modernity brought intense new pressures to bear on the autonomy and precedence of the human. From William Hunter’s scientific illustrations of human pregnancy to Denis Diderot’s pronatalist Tahitian dystopia to Mary Shelley’s Frankenstein, we will put a microscope to a range of images and texts that reflect on birth, death, and the human in this period. In each case, acts of collective visual analysis and close reading will lay the groundwork for a broader critical discussion of the challenges these works pose to our own understanding and lived experiences of birth and death in the twenty-first century. In keeping with the capaciousness of Enlightenment thought, this course is geared towards students interested in art history, literature, philosophy, intellectual and cultural history, and medical humanities. The course will be taught in English, with required discussion sections.

UN3995 Senior Seminar

Elisabeth Ladenson

W 4:10-6

Prerequisites: completion of either FREN UN3333-FREN UN3334 or FREN UN3420-FREN UN3421, and FREN UN3405, or the director of undergraduate studies' or the instructor's permission. Required of all French and French & Francophone Studies majors. Usually taken by majors during the fall term of their senior year. Critical discussion of a few major literary works along with some classic commentaries on those works. Students critically assess and practice diverse methods of literary analysis.

GU4716 Francophone Romance Love, Sex, Intimacy

Madeleine Dobie

M 2:10-4

The forms of domination and violence that have characterized the phenomenon of empire have always been interwoven with desire and various forms of intimacy. Personal relationships have been vectors of colonial power as well as sites of resistance. In this course we consider various ways in which love, desire and intimacy have emerged as questions in the French colonial context. The course covers a broad historical and geographic span stretching from the age of plantation slavery to the era of decolonization and from the Caribbean and Louisiana to Vietnam and Africa. We consider both the transmission of categories and practices across colonial contexts and historical transitions and regional specificities. The course methodology is interdisciplinary, drawing on insights from history, sociology and law. The primary lens is, however, be that of literature, a medium in which the personal dimensions of empire have often found expression. We consider how recurrent themes and figures of colonial desire and intimacy have taken shape across different genres and registers of writing.

GU4722 Annie Ernaux: Writing as a Knife

Thomas Dodman

T 10:10-12

GU4819 Images of the French Revolution

Caroline Weber

M 4:10-6

Along with the American Revolution which immediately preceded it, the French Revolution was the most important political event in modern history. The bloody end of the 18th century ushered in modernity, retrospectively marking a definitive break between “early modern” and “modern” eras. The French Revolution has been endlessly and variously mythologized and analyzed, as well as depicted in polemical writings, novels, poetry, theater, film, and opera. This course is designed as an overview of responses to the ten-year event, concentrating on popular depictions in Francophone and Anglophone works. We will start with contemporary responses and move on through 19th- and 20th-century literary representations of the Revolution, including plays and films, both adaptations of literary responses and original treatments. Readings will include works by Wordsworth, Coleridge, Burke, Wollestonecraft, Sade, and Dickens, along with more recent responses.

GR8819 Sociologies of the Everyday

Aubrey A Gabel

W 2:10-4